Constance July 30th, 2008
Twilight’s got all the cooties: romance, girl and YA — no Harry Potter adulation for this series. Shoot, it’s as bad as Sex and the City, except — it haz shoes? It should haz belly dancing. Does it? Myself does not know, not being a romance fan nor generally a YA reader. (I am a fan of belly dancing, and for long time now.)
Salon dot com analyzes.
[ No wonder the media has heralded Twilight as the next Harry Potter and Meyer as the second coming of J.K. The similarities, however, are largely commercial. It’s hard to see how Twilight could ever approach Harry Potter as a cultural phenomenon for one simple reason: the series’ fan base is almost exclusively female. The gender imbalance is so pronounced that Kaleb Nation, an enterprising 19-year-old radio show host-cum-author, has launched a blog called Twilight Guy, chronicling his experiences reading the books. The project is marked by a spirit that’s equal parts self-promotion and scientific inquiry — “I am trying to find why nearly every girl in the world is obsessed with the Twilight books by Stephenie Meyer” — and its premise relies on the fact that, in even attempting this experiment, Nation has made himself an exceptional guy indeed. ]This is an interesting piece, though, because it attempts to track similarities, if there are any, and contrasts, which there certainly are many, among Buffy The Vampire Slayer, the Harry Potter series and the Twilight series, and their audiences.
[ If Harry Potter has a vampire-loving, adolescent female counterpart, it’s Buffy Summers. ] Continue Reading »
Kevin Andrew Murphy July 30th, 2008
Back from Comicon. Also back from Westercon. Thoughts….
First off…wow. Comicon was amazing. In over twenty years of attending, Comicon’s managed to outdo itself again, mostly by dint of those who came, both industry types and fans. I don’t know how many, but numbers of over 200,000 were rumored and probably underestimated.
Second thought, what’s up with the art shows at all the cons? At Comicon, I saw more winged kittens in the art show than superheroes, or for that matter, any comic book characters. Yes, I understand the cottage industry of marketing to dragon and cat fetishists, but seeing the same dracokitty art recycled from Westercon to Comicon was surreal given the difference of the rest of the convention.
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Carol Berg July 14th, 2008
Matthew Milson wrote:
another obstacle that I found to be limiting with the first person perspective was the inability to give the reader information outside of the main character’s knowledge. I grew concerned that I would not be able to adequately hold the reader’s interest or create a sense of worry for the main character by breaking away from their storyline for short periods of time.
Certainly there are limitations to strict first person POV that one has to deal with. You mentioned a number of concerns here, some of which are related and some not.
1. giving the reader information outside the POV character’s knowledge
2. holding the reader’s interest
3. breaking away from that (POV) character’s story
4. creating a sense of worry in the reader
First off, #2 should not be dependent on #1 or #3. If you create an interesting character, and a strong vivid supporting cast, complex relationships, and interesting events surrounding that character, ie. a good story, you can hold the reader’s interest. Your POV character – no matter first or third – should be someone we want to spend time with. Someone with a complex personality, not perfect, with interests, attitudes, likes, dislikes, beliefs, superstitions, whatever makes a person human (or not, as the case may be.) Someone who learns and is capable of change. Sometimes the first person narrator is not the true protagonist, but only the person who is telling the story of the true hero or heroine. (I tried that with Transformation, and it ended up the narrator WAS the heart of the story, but those things can happen…) First person is certainly not appropriate for every story.
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