Archive for the 'Horror' Category

Buffy’s New Romance (Season 8)

Constance Ash March 5th, 2008

[ Mr. Whedon has developed their liaison over several issues. In No. 3 Buffy is overcome by a “Sleeping Beauty” spell undone only by a kiss from someone who loves her. In No. 4 Buffy realizes that Satsu saved her. Last month the pair discussed Satsu’s feelings. Buffy, although flattered by Satsu’s attentions, said the risks of involvement were too great. “People who love me tend to ... oh, die,” she said. Or, she added, they leave, because “sooner or later everybody realizes there’s something wrong ... something wrong with me, or around me.”

The matter seemed resolved, but in the newest issue, No. 12 — written by Drew Goddard, the screenwriter of “Cloverfield” — Buffy and Satsu are in bed, naked under the sheets. “It puts the reader in this ‘Oh my God’ moment,” Mr. Whedon said during a telephone interview. “And it puts Buffy in an ‘Oh my God, what did I just do?’ moment.”

But before fans start blogging frantically, they should know that Mr. Whedon is clear where this is headed. “We’re not going to make her gay, nor are we going to take the next 50 issues explaining that she’s not. She’s young and experimenting, and did I mention open-minded?” ]

 More here.

 Love, C.

Put Poetry in Your Blog Day

Constance Ash February 2nd, 2008

Two Visions of Vampires by two enduringly popular poets:


“Oil and Blood
By William Butler Yeats

In tombs of gold and lapis lazuli
Bodies of holy men and women exude
Miraculous oil, odour of violet.

But under heavy loads of trampled clay
Lie bodies of the vampires full of blood;
Their shrouds are bloody and their lips are wet.

. . . y, otra . . .  from Byron’s The Giaour  . . . .

A turban carved in coarsest stone,
A pillar with rank weeds o’ergrown,
Whereon can now be scarcely read
The Koran verse that mourns the dead,
Point out the spot where Hassan fell
A victim in that lonely dell.
There sleeps as true an Osmanlie
As e’er at Mecca bent the knee;
As ever scorn’d forbidden wine,
Or pray’d with face towards the shrine,
In orisons resumed anew
At solemn sound of “Alla Hu!”
Yet died he by a stranger’s hand,
And stranger in his native land;
Yet died he as in arms he stood,
And unavenged, at least in blood.
But him the maids of Paradise
Impatient to their halls invite,
And the dark Heaven of Houris’ eyes
On him shall glance for ever bright;
They come—their kerchiefs green they wave,
And welcome with a kiss the brave!
Who falls in battle ‘gainst a Giaour
Is worthiest an immortal bower.

But thou, false Infidel! shall writhe
Beneath avenging Monkir’s scythe;
And from its torments ’scape alone
To wander round lost Eblis’ throne;
And fire unquench’d, unquenchable,
Around, within, thy heart shall dwell;
Nor ear can hear nor tongue can tell
The tortures of that inward hell!
But first, on earth as Vampire sent,
Thy corse shall from its tomb be rent:
Then ghastly haunt thy native place,
And suck the blood of all thy race;
There from thy daughter, sister, wife,
At midnight drain the stream of life;
Yet loathe the banquet which perforce
Must feed thy livid living corse:
Thy victims ere they yet expire
Shall know the demon for their sire,
As cursing thee, thou cursing them,
Thy flowers are withered on the stem.
But one that for thy crime must fall,
The youngest, most beloved of all,
Shall bless thee with a father’s name—
That word shall wrap thy heart in flame!
Yet must thou end thy task, and mark
Her cheek’s last tinge, her eye’s last spark,
And the last glassy glance must view
Which freezes o’er its lifeless blue;
Then with unhallow’d hand shalt tear
The tresses of her yellow hair,
Of which in life a lock when shorn
Affection’s fondest pledge was worn,
But now is borne away by thee,
Memorial of thine agony!
Wet with thine own best blood shall drip
Thy gnashing tooth and haggard lip;
Then stalking to thy sullen grave,
Go—and with Gouls and Afrits rave;
Till these in horror shrink away
From Spectre more accursed than they!

   

Joss Whedon - Season 8

Constance Ash August 4th, 2007

The Onion’s AV Club section of  August 2, 2007 issue has Joss Whedon as its cover feature.

The intereview talks extensively about Buffy, Season 8, the probable Season 9 — and the very probable Angel - After the Fall, Brian Lynch doing the outline. 

Which, of course, explains why Angel was always b and c level when compared to Buffy, coz the guy just doesn’t have the imagination, the emotional penetration or sense of rhythm that Whedon’s got.  It would all be great — except there was Buffy … and they dragged all the secondaries in, and that showed why they were the secondaries on Buffy, and not the primary.

He also speaks about the Wonder Woman project, as to why it didn’t work out, and very graciously too.

I checked on The Onion’s website, but though other articles included in this “AV Club” section are there, this isn’t listed.  It is in the paper edition though.  Vaquero very kindly picked it up and brought it home because he thought I’d be interested.  Wasn’t that sweet?

Love, C.

“Clove Smoke” teaser trailer now up

Kevin Andrew Murphy June 18th, 2007

As announced last year here at Deep Genre, my short story, “Clove Smoke,” is being made into a film. Some filming still remains to be done, but enough has been done that a teaser-trailer is now up. Check it out:

http://www.jstarfilms.com/index.html

Pan’s Labyrinth — fairytales with blood

Kevin Andrew Murphy January 17th, 2007

Terry Pratchett has this bit in Hogfather about how all stories begin and end with blood, at least until they get all sugarfrosted with stuff that certain parents want to say “children want.”  Well, as much as I liked Hogfather, both the book and the recent SkyOne miniseries, I have to say that not only does Pan’s Labyrinth both begin and end with blood, but there’s a marvelous amount of blood throughout it.  And oh, was it refreshing.

It was also simply wonderful to watch a movie where the magic was used in service of the story, not trying to sell any variety of cute tie-in toy or get on the cover of Fangoria.

What is it?  It’s a movie by Guillermo del Toro (who I nearly fainted on top of a few years ago at Comicon when the air conditioners gave out), in Spanish with subtitles, currently out in certain cities but going out everywhere Friday.  Last Comicon, I had to crawl through a giant tree and stick my hand in slime to get a golden key as a movie promo, and this is the main character, Ofelia’s, first task as the fairytale unfolds.  Except her key is cooler, she dodges bugs and toads rather than fanboys, and this all happens against the backdrop of Franco’s Spain rather than Comicon.

I don’t want to spoil anything except to say Go.  Go now.  Go if you’ve ever loved fairytales, especially the dark ones where wicked stepfathers are actively evil, monsters actually eat children, and virtue is its own reward.

Christmas Story

Lois Tilton December 24th, 2006

I meant to post this yesterday, on the solstice.

Consider it a sort of Christmas card to the blog.

“The Longest, Darkest Night”
by Lois Tilton

The little white lights, like stars.

There is a thin crust of icy snow on the ground. I hear it crunch under my feet. The air is still, crisp and silent. This is my favorite season of the year, the longest night. Somehow I almost feel … there only seems to be one word to describe it - alive.

In this weather I can pull my hood up over my head and wrap a scarf around my face without looking suspicious. To walk like this, out in the open street, is liberating, exhilarating. My step quickens without urgency. I have hours, the whole long night ahead of me.

I enjoy looking at the lights. Almost every house has a tree in the window, and most of the shrubbery outside is illuminated, too. On the corner - a magnificent spruce at least twenty feet high. There must be a thousand white lights.

I can remember the Christmas trees in our parlor when I was a child: those few minutes on Christmas Eve while the candles were lit, the glorious blaze of light. Oh, it was beautiful. And so painstaking to achieve, fastening each little holder, making sure the flame couldn’t touch another branch …

I hear voices up ahead, and I instinctively seek the shadows. It’s a group of children, boys heading home with skates and hockey sticks over their shoulders, strong and vital. I let them pass. Too many of them, and it’s early yet. Besides, I’m enjoying my walk.

A solitary jogger comes past me, stripes flashing silver on her sweatsuit’s arms and legs. The warm fog of her breath hangs in the crisp air, and I can sense the heat and sweat of her exertion, the strong, healthy pulse of blood through her body. I think, if she keeps going into the park, I’ll follow. But instead she turns onto another street, lit by the headlights as she runs against the traffic. I shrug and keep walking. There’ll be another, later on.

I think I hear a radio somewhere ahead, playing Christmas carols. Then I turn around a corner and see them - about two dozen people standing in a rough semicircle in front of a house on the next block, all wearing coats and boots and gloves. Singing.

I’m amazed. A caroling party! I can remember doing this, so long ago. Before …

I watch them, curious, as they finish the carol and move on to the next house, laughing as they get into position. There is a pause, then a woman’s voice begins to sing, and in a moment the rest are joining in: Silent night, holy night …

They go from house to house, closer to where I stand watching, listening. I’m not sure just what I’m doing here. There are twenty of them, at least. It’s late enough now that I’m starting to feel my hunger coming to life. I should be heading back to the shadows of the park, waiting for a solitary man out walking his dog, or a kid taking the shortcut home.

Instead, I’m standing here. It’s not that the singing is all that good. But it isn’t so bad, either, and most of them seem to know all the words to the verses. They’ve obviously rehearsed this, at least once or twice. I find it astonishing, in today’s world, that people would still do this simple sort of thing.

The stars in the sky looked down where he lay …

I glance upward, into the deep black of the sky. They still do.

But now the carolers are crossing the street, coming my way, and I know I’ve waited here too long, I can’t afford to draw attention to myself, let myself be seen. But I still don’t move as they assemble again in front of the brick colonial on the corner, not fifty feet from the tree where I’m standing in the shadow, and the leader begins the first notes of “O Holy Night.” The key she’s chosen is a little too high for most of the singers, and the song is a little ragged. I find myself silently forming the words along with her: the stars are brightly shining …

The thing that I’ve become has lost the capacity for tears. Yet I feel a deep melancholy welling up in my chest, the more painful because it has no means of release. My throat aches. A few yards from me the voices are falling away on the higher notes. The leader’s soprano is almost alone as she reaches the line: O hear the angel voices …

Then, without willing it, I hear my own tenor joining in, supporting her. O night divine!

Her eyes dart in delighted surprise toward the parkway where I’m standing in the tree’s shadow. Most of the others turn around to stare, but a few join in on the final notes. I can see the leader hesitate, but then she begins the more obscure second verse, and I’m with her, I still remember the words.

But it’s my voice that I can barely believe, even as I hear myself. Not in over a hundred years.

But the song comes to an end, and the leader turns around and hurries in my direction. I suddenly realize the tremendous reckless foolishness of what I’m doing, exposing myself this way. I’ve pulled my scarf down from my face so the words won’t be muffled, and now I pull it up again, shivering as if I were cold. I’ve schooled myself over the years not to flinch away from their eyes, but I’m still not ready for this encounter.

The woman is smiling - friendly, welcoming. I can sense the warmth of brandy on her breath and a suggestion of nutmeg - eggnog. Her cheeks are slightly flushed with it, and the cold, and the happiness of what we’ve just done, but the flush is blood, and the closeness of her is flooding my senses.

“That was lovely! We’d be so glad to have you join us,” she’s saying, but I back away a step, from the others surrounding her, the bloodwarmth of their presence, almost overwhelming.

“No,” I say, trying to keep my face in the shadow, “no, it’s already too late, I have to go …”

I hurry away, back toward the darkness and safety of the park. My hunger is aroused now, my senses are acute, but deep inside I’m shaken. The echo of the song, the thrill of the high, clear notes ringing in the air - had I really done that? I try to clear my throat, but all I manage is a constricted croak. After so many years …

It doesn’t matter. Nothing has changed. The night is silent. The loudest sound comes from the slow heartbeats of a nest of squirrels dormant in the branches of a nearby locust tree. I cross slowly to the other side of the park beyond the frozen lake. The floodlights where the hockey players had been skating are dark now. Everyone has gone home.

No. I hear them now, the sound of running shoes - crunch, crunch, hitting the snow-crusted pavement. Coming closer, the breath pumping in and out of his lungs, the warmth of it. A man in strong condition, his breathing is regular as he jogs, even in this cold. Plain gray sweatsuit, no reflective stripes, a navy watch cap pulled down over his ears.

I see where the path goes past a stand of trees, a good place for shadows. My hunger is working in me now. I pull the scarf away. By the time he sees my face, it will be too late.

A midnight clear. The stars in the sky look down, silent and bright and cold.

Where he lies. In the bloodstained snow.

Sleep in heavenly peace.

copyright 1991 by Lois Tilton

Quiet on the set! “Clove Smoke” in production.

Kevin Andrew Murphy November 13th, 2006

Well, last night was a first for me for a couple things, the second of which was a complete surprise: It was not only my screenwriting debut (actually story credit with script consultation, but most of the dialogue is right from my short story), but also my acting debut, a cameo with two brief lines of dialogue.

I also have the contract in hand now, so I can go ahead and broach radio (or actually blog) silence.  Last spring, I met up with Robert Mims, a new producer looking for material for a short film.  I sent him a copy of “Clove Smoke,” a short of mine that’s been well-received and even translated into Spanish.  Next thing I know, I’m looking at a screenplay adaptation by Robert’s writing partner, Justin Queen.

A thumbs up, and next thing we’re in the fast track.  Principal shooting finished yesterday at the House of Shields in San Francisco, where I’d gone both to get to see the actual production of the filming of my story, and to set myself up for a cameo as background.  Stephen Watts, the director, then surprised me by offering me the role of the bartender, since it gave me a speaking line and also offered some contrast visually since I’d known the color palette the production designer was going with and I’d dressed to match it, adding the red that the principal actors weren’t wearing for the scene.

I also got to meet the actors, Anissa and Jason, who are playing Aurora and Jimmy, a strange bit of serendipity giving them the same initials.  They were great, both in terms of acting and in looking the parts.  The second, in fact, even better than I’d pictured them, thanks to Anissa’s wardrobe (she’s also a model) and Kirsten Larsen’s skill as production designer.  Richard Cascio, the director of photography, was also getting some amazing shots, or at least from what I was getting to see literally looking over his shoulder–one shot was from the bardtender’s perspective, so I was standing right behind him so Jason could get the right line of sight to my eyes for when we later reversed the shot.

And I stepped on a light box one of the grips had left behind the bar, mistaking it for some sort of platform you’re supposed to step on.  However, one fluorescent bulb is not a disaster and it was fascinating to watch a full production up close.  The dolly shot curving around the bar was particularly amazing.

What was also amazing was the location.  The House of Shields is a hundred years old, literally, being built in 1906 and opened in 1908 (delays caused by the great quake and fire).  Edwardian lamps, the bar from the old Palace Hotel, coffered ceilings and so on.  Gorgeous. House of Shields interior

6 More Things I Could do Without in Fantastic Literature & I don’t plan to use except to make fun of

Kevin Andrew Murphy August 14th, 2006

Just read Scott Lynch’s Eleven things I will serve my best never to put in a fantasy novel unless I am trying to undermine them, and in fact could do without entirely from now on, thanks.  It’s a great list and I agree with all the items on it.  But there are some I’d like to add, at least for myself:

1. Monsters that don’t eat children.

I’m sorry, but I have to ask–what’s not to like about children?  They’re small, tender, slow-moving, and are easily lured into gingerbread houses–how hard can it be?  Yes, fate, in the form of the author, may conspire against you, but that’s no excuse for not offing at least one child, even off stage in the past.  This goes double for horribly evil dark wizards who lead reigns of terror across the countryside only to have it all blow up in their face when they try to kill even one baby.  (Yes, this means you, Lord Voldymort, and tell the so-called “Wicked Witch” I said “Hi”).

Same problem, different day, with ancient evils, devils and demons who seem to be fans of The Godfather, starting out on their reigns of terror by killing family pets, then boring family retainers or dull recluses who no one would miss much anyway, then working up to the adults and still never quite getting around to the kids.  Hello, you’re supposed to be the Forces of Hell, not uptight Italian Catholics still vaguely concerned with getting into Heaven.

When the average nursery bogey has a higher bodycount than you, how do you expect anyone to take you seriously?

Continue Reading »

(6) Collecting Vampires

Constance Ash July 13th, 2006

 Deep Genre; Introduction; Part 1; Part 2; Part 3; Part 4; Part 5;

Part 6

“Vampires” is a populous subgenre.  Perhaps you would like to create a work featuring a vampire or vampires, but, you wonder, being the professional genre writer that you are, “Will anybody be interested in another novel, another movie, another television program or a non-fiction study dealing with vampires? There have been so many since Stoker’s classic Dracula.“ 

Continue Reading »

Men, Sex, SFF

Kate Elliott July 13th, 2006

Constance writes, of Steve Barnes: For one thing, he’s one of the very few SF male writers with the ability to write romance-sex scenes without turning ludicrous!

Her comment got me to wondering:
Can male sff writers write good romance sex scenes? If so, why? If not, why not? Be persuasive.

Next »