Archive for the 'Industry News & Updates' Category

J.K. Rowling Website — Very Interactive

Constance Ash December 21st, 2006

The website also provides a difficult interactive that allows you to learn the name of the forthcoming and final Harry book.It doesn’t access very well, either because there’s something wrong with the links, or because it is heavily used.But here are the instructions for that part of it, courtesy of today’s NY Times.  Remember to have your audio enabled.  It’s pretty good stuff.

[ "Meanwhile, she set up a test for her Potter fans.

If you go to jkrowling.com, click on the eraser and you will be taken to a room -- you'll see a window, a door and a mirror.  (By my own experience this link doesn't work, you have to get there via the one I provided above; nor does the eraser thingie work.)

If you go to , click on the eraser and you will be taken to a room -- you'll see a window, a door and a mirror. In the mirror, you'll see a hallway. Click on the farthest doorknob and look for the Christmas tree. Then click on the center of the door next to the mirror and a wreath appears. Then click on the top of the mirror and you'll see a garland.

Look for a cobweb next to the door. Click on it, and it will disappear. Now, look at the chimes in the window. (All of this works, by my experience, up to here -- then it just quits working; the key doesn't appear.  Your cursor on the door knob turns the knob, but nothing else happens.) Click on the second chime to the right, and hold it down. The chime will turn into the key, which opens the door. Click on the wrapped gift behind the door, then click on it again and figure out the title yourself by playing a game of hangman." ]

However, by now you all already know the title of the last book is: Harry Potter and the Deathly Hallows. 

Love, C.

A Brief Interruption for Book Tour

Kate Elliott October 16th, 2006

I am on a short book tour, west coast only, with fantasy writer Melanie Rawn. As all writers know, book signings can be wonderful or horrible - that is, depending if people show up enthusiastic about your books, or if no one shows up.

I can’t be the only writer who has frequently been asked by customers at book signings “Where are the cookbooks?” because they think I am a staff member.
If you live in California, Phoenix AZ, Albuquerque or Santa Fe NM, or Austin TX, please check the link to see if there is an event close to you, and come say hello! I have macademia nuts with me, free to interested parties. And books, of course.

http://kateandmelanie.typepad.com/tour_date/

Usually we do a reading and then answer questions. Borderlands Books in San Francisco, a terrifically well run establishment, has a routine they use: the author reads a short excerpt, then one of the bookstore staff (in our case the inestimable Jude) asks a few questions to break the ice, so that the people in the audience who might otherwise feel reluctant to ask the first question but who do have questions to ask get over that awkward transition.

And speaking of Borderlands and the book business, here is a good article about the success of niche bookstores in these days of the chain behemoths:

http://news.yahoo.com/s/ap/20061009/ap_en_bu/genre_bookstores

And as a later update:

Alternative Reality Web Zine is conducting an online and ongoing interview with me this week, and you can reach the forum here .

WorldCon/LAConIV retrospective

Kevin Andrew Murphy August 30th, 2006

WorldCon 2006 (I forget the proper number)/LAConIV (in Anaheim) is now wrapped and the last of the stragglers have I think now left.  I left my sunglasses in the green room at the Hilton.

In attendance from Deep Genre were myself, Sherwood Smith, David Edelman, Kate Elliot and Madeleine Robins.  Except Sherwood, we ended up meeting at Madeleine’s reading on Sunday and hit Starbucks for coffee afterwards.

As David E. mentioned back during my Comicon post, too many con reports read like exercises in name dropping (which that post avoided), so I’ll try to avoid that here too, except to say that it was fun to put faces to people I’d before only known as names.  For example, David Keck, who I’d before only known as a sometime poster here on the blog, was suddenly there to talk to in person and everything at the Wild Cards reception and then on Sunday, we got to talk more after sharing a panel.

Rather than go for the gossip columnist approach, which is tacky when you’re one of the ones going to the parties and dinners, I’ll simply describe it as a novelist: There were swanky parties and simple parties, both on and off site.  There were fabulous dinners worthy of hobbit salivation and there were dinners that made me feel like I was stuck in a not terribly original comedy sketch.  (How many times can the Hilton’s kitchen’s screw up a burger?)  Terribly famous people were revealed as nice folks you hang out with in the bar.

In short, it was a con.  Panels went well from what I saw, and I saw a lot of it because I was on a lot of panels.  Apart from the usual scheduling snafus, bad mics, a spilled water pitcher and occasional overenthusiasm, things appeared to go to plan.  Name tags were ready and waiting on every panel.  Room temperatures were perfect, water was ready.  A few authors brought enough books to use for a gamemaster’s screen, but given the trouble with psuedonyms and publishing logjams, I’ll look less askance at that than I might.  Ideally you should pimp only one book at a time, but publishing doesn’t always cooperate.

The Dealers Room floor was pretty amazing even for a WorldCon, and with panels and parties, I did not manage to see all of it, but I did see a lot.  The Masquerade was also nice, with the standout being costumes for “Dancing with the Intergalactic Stars.”  I don’t know if they won, but I expect they did, since I did the same as many and left for the parties after the last entrant but before the judging.

What else should be said of the parties?  Well, I have to admit I really liked the Wild Cards reception, not because it was swanky (though that was still incredibly cool), but because it let everyone have fun and talk in a nice relaxed atmosphere and let me meet folk I haven’t seen for years or have only talked to on the phone.  Other parties?  Well, of the author’s parties, some you pretty much needed a shoehorn to get people in the door.

The fan and bid parties were vastly entertaining as well, and not as insanely crowded.  Kansas City had a “ribs tasting” which ended up being a case of too much sauce and not enough ribs, since I got to the part in time to see a table covered with bowls of various barbecue sauces.  However, that meant that the next day at their fan table, they were selling the excess bottles of barbecue sauce for $2 each.  So I grabbed four so I can do my own ribs tasting at home.

I missed the Hugo awards, but was told they went well with Connie Willis doing a great job as presenter.  The buzz about the Hugo slate was also good, with the phrase I heard more than once being “remarkably sane,” meaning that the nominees and the winners were all there as a matter of popular choice of good art, as opposed to something being pumped by media frenzy rather than quality.

Small disappointment in that WorldCon did not apparently have any swag bags of books or even cloth souvenir totes.  Maybe for sale at the T-shirt booth, but no “Welcome to the con, this if for you” like you get at World Horror, World Fantasy or some past WorldCons (including LAConIII).  However, it’s not mandatory, and my bag from WorldHorror is still sitting on my floor (though emptied of books).

And that was WorldCon, or at least what I’m conscious enought talk about after driving back last night.

Comicon International 2006 — The Movie Star, the Professor and the rest of the crew

Kevin Andrew Murphy July 27th, 2006

Last year, just in time for Comicon, my sister scheduled her wedding opposite the Masquerade, which I consequently missed.  This year?  Well, I missed the Masquerade again, but only because of other complications.

Where to start?  Where to end?  Egads, I’ve been going to this thing for twenty years now, saw it when it was small, saw it when it was dying, then saw it when it moved to the new convention center and doubled in size every year, even as they continued to enlarge the convention center.  I remember a couple years ago when I made the mistake of being on the main floor when the crowd capacity overtaxed the air conditioning and I nearly fainted on top of Guillermo Del Toro as he was slipping out the back of the Marvel booth and under my arm as I supported myself on a pillar.

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Read the book? No, but I loved the trailer

Constance Ash July 16th, 2006

The days of judging a book by its cover are drawing to a close. Publishers have finally tapped into the MTV generation, and now it is possible to make your literary choices in advance online by watching a sequence of rapid-fire images accompanied by a thumping score, big flashing words and, if you’re lucky, a deep-voiced American talking about ‘one man’ and ‘his quest to find meaning in a world gone mad’. Yes: there are now trailers for books and soon, according to Steve Osgoode, director of online marketing at HarperCollins Canada, they will be everywhere.”

9/11 Commission Report To Be A Comic

Constance Ash July 16th, 2006

“Industry veterans Sid Jacobson and Ernie Colón have collaborated to produce “The 9/11 Report: A Graphic Adaptation,” which is being published by Hill and Wang, the nonfiction imprint of Farrar, Straus and Giroux.

The two are well established in the graphic world. Jacobson, 76, the creator of “Richie Rich” series, used to be editor in chief of Harvey Comics. Colón, 75, who drew “Richie Rich” and “Casper” for 25 years, also worked for Harvey before a short stint as an editor at DC Comics — the home of characters such as Green Lantern, Wonder Woman, Superman and the Flash. He also illustrated for Marvel Comics, where Spider-Man and the X-Men were created.”

Wonder Woman is Back in the News

Constance Ash July 6th, 2006

No doubt coz Whedon’s next movie-to-be is Wonder Woman ….

A best-selling ‘woman’s author, Jodi Picoult, is going to do 5 issues of Wonder Woman for D.C.  Going by Picoult’s bibliography this seems an odd choice.  Unless there’s something that this bibliography left out?

Love, C.

 

Kate Elliott June 25th, 2006

Asked in “Got Questions”:

Why are USA books less expensive than UK books?

What We Can Do, To Get The Kind of Genre We Want

British publishing is in trouble

Katharine Kerr June 14th, 2006

Last night I had an interesting dinner with my agent, Elizabeth.  Among other things, we dicussed the difficulties I’ve been having with my British publisher, the “Voyager” line of HarperCollins UK.  They are squeezing their authors with smaller advances and lower royalty rates, and they’re cutting production costs every which way they can.   The problems however go way beyond them.  Some of these problems are often discussed: more forms of entertainment available, lower standards of literacy, and the like.  Here are two more:

 One of these problems is unrealistic expectations on the part of the Corporate MoneyPeople who now own/dominate most publishers.  To them, a risky investment like publishing should earn an 18% profit in return for the risks.     In a very good year, most publishers operate at a profit margin of around 7%.  5% is realistic.  The “remedies” the corporate types propose are cutting into what sales there are, but can they see this?  Of course not.  They have MBA’s.  They’re always right.  This problem’s worse for Voyager than for some other lines.  After all, HC is owned by Rupert Murdoch, the man who reduced the London TIMES to a tabloid.  Literally.

The corporate practice of deep discounts to chains, which was introduced late in the UK, is also having a bad effect on the profit and loss sheets.  We could have told them.  They wouldn’t have listened.

 The second: import laws under the European Union are destroying the old distinction between first American and first UK exclusive rights.  Any EU country can import books from America, then ship them to Britain without restriction.  Even with the shipping costs, American books cost less in the UK than British ones.  Last year, or so Elizabeth told me, 50 million pounds’ worth of US books were sold in the UK — most of which should never have been sold there.  That’s money pounds, not weight, btw.

One proposed solution is, of course, for authors to sell world rights to a single publisher, leaving us with less bargaining power (as if we had much to begin with) and a reduced income.  Doubtless this sounds like a great solution to the Murdochian minions and their ilk.

Can British publishing be saved?  Not on the large scale, is my take on this.  Small houses will muddle through, as they’re doing here in the States.  Look for big corporations to either expand their publishing lines to the US, as Hachette is doing, or to divest themselves of their publishing interests.

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