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	<title>Comments on: Memo to Hollywood: How to do (and not do) an adaptation</title>
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	<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/</link>
	<description>Writing and Reading. Commerce and Art. Fantasy and Science Fiction. Discuss.</description>
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		<title>By: Laurel</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-9228</link>
		<dc:creator>Laurel</dc:creator>
		<pubDate>Sat, 14 Mar 2009 18:56:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-9228</guid>
		<description>I am an American Fantasy lover.  Although I did see the film version of The Seeker, I had not read the book.  Thank you for letting me know there is a good fantasy out there I&#039;ve missed.  When I saw the film I though what kind of lame brained TV show is this supposed to be?  Why did they bother to make this piece of crap?  Can&#039;t Hollywood do ANYTHING right?  Who paid for this nonsense anyway?

I told my husband the other day that if I never saw another new American made movie in my lifetime that I would not mind one bit, just give me a decent book, please.  American film makers seem to be taking the titles, declining to actually read the book and using it as an excuse for dysfunction, violence and special effects.  Oh and right, a book about an 11 year old British boy and magic won&#039;t sell?  Harry Potter did really well until the American movie industry got their hands on it and destroyed those books as well.

I&#039;m glad I came across this blog and not just for the chance it gave me for my favorite rant but because there are like minded people out there and clues as which book I should try next.  Like Susan Cooper&#039;s.  So thanks.</description>
		<content:encoded><![CDATA[<p>I am an American Fantasy lover.  Although I did see the film version of The Seeker, I had not read the book.  Thank you for letting me know there is a good fantasy out there I&#8217;ve missed.  When I saw the film I though what kind of lame brained TV show is this supposed to be?  Why did they bother to make this piece of crap?  Can&#8217;t Hollywood do ANYTHING right?  Who paid for this nonsense anyway?</p>
<p>I told my husband the other day that if I never saw another new American made movie in my lifetime that I would not mind one bit, just give me a decent book, please.  American film makers seem to be taking the titles, declining to actually read the book and using it as an excuse for dysfunction, violence and special effects.  Oh and right, a book about an 11 year old British boy and magic won&#8217;t sell?  Harry Potter did really well until the American movie industry got their hands on it and destroyed those books as well.</p>
<p>I&#8217;m glad I came across this blog and not just for the chance it gave me for my favorite rant but because there are like minded people out there and clues as which book I should try next.  Like Susan Cooper&#8217;s.  So thanks.</p>
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		<title>By: Leon</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7770</link>
		<dc:creator>Leon</dc:creator>
		<pubDate>Sat, 03 Jan 2009 17:20:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7770</guid>
		<description>What&#039;s with the hatred of Seeker?  It would have been a fun little fantasy movie if they&#039;d just removed the last few tenuous ties to Susan Cooper&#039;s work and marketed it as something new.  

I&#039;m a bit sad that no good adaptation of TDIR will likely be produced for at least a few more decades now.  And when they do try again, they&#039;ll probably just find a new way to fail.  The series lacks big action sequences to hang a bunch of expensive special effects on as it was written, which most producers interpret as lacking audience appeal.  So sad.</description>
		<content:encoded><![CDATA[<p>What&#8217;s with the hatred of Seeker?  It would have been a fun little fantasy movie if they&#8217;d just removed the last few tenuous ties to Susan Cooper&#8217;s work and marketed it as something new.  </p>
<p>I&#8217;m a bit sad that no good adaptation of TDIR will likely be produced for at least a few more decades now.  And when they do try again, they&#8217;ll probably just find a new way to fail.  The series lacks big action sequences to hang a bunch of expensive special effects on as it was written, which most producers interpret as lacking audience appeal.  So sad.</p>
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		<title>By: Jena</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7727</link>
		<dc:creator>Jena</dc:creator>
		<pubDate>Wed, 31 Dec 2008 17:00:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7727</guid>
		<description>I did see the movie -- I was stuck on a plane, couldn&#039;t sleep, and had already read my book and exhausted the list of good movies that were offered -- and it was a huge disappointment. The producers turned a great book into a big gob of American TV-style pap, devoid of wonder and magic. Oh sure, there were special effects, but magic? Pfft. Not in the good sense.</description>
		<content:encoded><![CDATA[<p>I did see the movie &#8212; I was stuck on a plane, couldn&#8217;t sleep, and had already read my book and exhausted the list of good movies that were offered &#8212; and it was a huge disappointment. The producers turned a great book into a big gob of American TV-style pap, devoid of wonder and magic. Oh sure, there were special effects, but magic? Pfft. Not in the good sense.</p>
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		<title>By: Asakiyume</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7726</link>
		<dc:creator>Asakiyume</dc:creator>
		<pubDate>Wed, 31 Dec 2008 16:24:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7726</guid>
		<description>I was horrified when I saw the trailers for the movie and consequently didn&#039;t see it. I could tell at a glance that there was going to be all the ridiculous family crap that you mention, which only cheapens the story. And the mention of a love interest just adds to my disgust--not because I&#039;m against love interests, but because that&#039;s not the story that Susan Cooper created or the story readers loved.

What I don&#039;t understand is why they didn&#039;t go the same route, in terms of thinking of box office sales, as The Golden Compass. Not that that was a brilliant movie either, but at least it didn&#039;t totally veer off from its source material and attempt to wed it to something completely extraneous.

The American film industry can&#039;t utter the word &quot;family,&quot; apparently, without prefacing it with the word &quot;dysfunctional.&quot; Tedious and unnecessary.</description>
		<content:encoded><![CDATA[<p>I was horrified when I saw the trailers for the movie and consequently didn&#8217;t see it. I could tell at a glance that there was going to be all the ridiculous family crap that you mention, which only cheapens the story. And the mention of a love interest just adds to my disgust&#8211;not because I&#8217;m against love interests, but because that&#8217;s not the story that Susan Cooper created or the story readers loved.</p>
<p>What I don&#8217;t understand is why they didn&#8217;t go the same route, in terms of thinking of box office sales, as The Golden Compass. Not that that was a brilliant movie either, but at least it didn&#8217;t totally veer off from its source material and attempt to wed it to something completely extraneous.</p>
<p>The American film industry can&#8217;t utter the word &#8220;family,&#8221; apparently, without prefacing it with the word &#8220;dysfunctional.&#8221; Tedious and unnecessary.</p>
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		<title>By: cedunkley</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7724</link>
		<dc:creator>cedunkley</dc:creator>
		<pubDate>Wed, 31 Dec 2008 14:44:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7724</guid>
		<description>Make that &quot;The Seeker&quot; as the name of the movie in the US.

Legend of the Seeker is the name they gave to Wizard&#039;s First Rule on the TV show.</description>
		<content:encoded><![CDATA[<p>Make that &#8220;The Seeker&#8221; as the name of the movie in the US.</p>
<p>Legend of the Seeker is the name they gave to Wizard&#8217;s First Rule on the TV show.</p>
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		<title>By: cedunkley</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7723</link>
		<dc:creator>cedunkley</dc:creator>
		<pubDate>Wed, 31 Dec 2008 14:40:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7723</guid>
		<description>I ended up watching parts of this movie because I stumbled across it on cable a while back.  I was highly disappointed.  The filmmakers had pretty much destroyed the wonder and magic of the book.

And changing the name to Legend of the Seeker...what was that all about?  Were they trying to trick people into thinking it had something to do with Goodkind&#039;s books?

Just the name change alone was an early warning sign not to expect the book.

*By the way, I had to create a new user account as it kept telling me I had an invalid username when I tried to log in.  I&#039;ve posted on here for years as Charles, but have changed my name to be consistent with my name on LJ.  I was wondering if I should do that anyway and this just forced the issue.*</description>
		<content:encoded><![CDATA[<p>I ended up watching parts of this movie because I stumbled across it on cable a while back.  I was highly disappointed.  The filmmakers had pretty much destroyed the wonder and magic of the book.</p>
<p>And changing the name to Legend of the Seeker&#8230;what was that all about?  Were they trying to trick people into thinking it had something to do with Goodkind&#8217;s books?</p>
<p>Just the name change alone was an early warning sign not to expect the book.</p>
<p>*By the way, I had to create a new user account as it kept telling me I had an invalid username when I tried to log in.  I&#8217;ve posted on here for years as Charles, but have changed my name to be consistent with my name on LJ.  I was wondering if I should do that anyway and this just forced the issue.*</p>
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		<title>By: Erin Underwood</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7722</link>
		<dc:creator>Erin Underwood</dc:creator>
		<pubDate>Wed, 31 Dec 2008 13:46:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7722</guid>
		<description>The Seeker was a real let down for me, too. There is something absurd about the way Hollywood adapts certain movies. It&#039;s ok to take story elements and twist them to intensify a theme or to update a story for a new audience or to reinterpret a work. However, to take a story and simply change elements for the sake of selling an audience tells me that the studio doesn&#039;t trust its audience to &quot;get it.&quot;

I actually just finished a research paper on this very topic. I can&#039;t tell you how many originals and adaptations I&#039;ve read. My mind was spinning by the time I was done. The one thing that REALLY sticks out from all of the research that I did is the fact that writers (or studios) who don&#039;t trust the audience to &quot;get&quot; the story as it needs to be written usually produce a piece that isn&#039;t well received.</description>
		<content:encoded><![CDATA[<p>The Seeker was a real let down for me, too. There is something absurd about the way Hollywood adapts certain movies. It&#8217;s ok to take story elements and twist them to intensify a theme or to update a story for a new audience or to reinterpret a work. However, to take a story and simply change elements for the sake of selling an audience tells me that the studio doesn&#8217;t trust its audience to &#8220;get it.&#8221;</p>
<p>I actually just finished a research paper on this very topic. I can&#8217;t tell you how many originals and adaptations I&#8217;ve read. My mind was spinning by the time I was done. The one thing that REALLY sticks out from all of the research that I did is the fact that writers (or studios) who don&#8217;t trust the audience to &#8220;get&#8221; the story as it needs to be written usually produce a piece that isn&#8217;t well received.</p>
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		<title>By: green_knight</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7720</link>
		<dc:creator>green_knight</dc:creator>
		<pubDate>Wed, 31 Dec 2008 10:20:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7720</guid>
		<description>I&#039;m more glad than ever that I didn&#039;t go to see this; I loved that book, it was the book that fuelled my love for fantasy, and I would hate to see it spoilt.</description>
		<content:encoded><![CDATA[<p>I&#8217;m more glad than ever that I didn&#8217;t go to see this; I loved that book, it was the book that fuelled my love for fantasy, and I would hate to see it spoilt.</p>
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		<title>By: Brendan Podger</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7718</link>
		<dc:creator>Brendan Podger</dc:creator>
		<pubDate>Wed, 31 Dec 2008 09:51:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7718</guid>
		<description>I think you will find if you think back that there is very little of the Arthurian myth in TDIR.  While it is very strong through the whole series, from memory there is only a couple of mentions of it in this book and they are pretty oblique.

The Light&#039;s Doors can span Time and Space so if a locale had to be in a particular place it could be(travelling the whole world to find the signs?!), but it could start and culminate in the US.  Surely there is some equivalent of the Wild Hunt in Amerindian mythology that could harry the Dark to the ends of the world.</description>
		<content:encoded><![CDATA[<p>I think you will find if you think back that there is very little of the Arthurian myth in TDIR.  While it is very strong through the whole series, from memory there is only a couple of mentions of it in this book and they are pretty oblique.</p>
<p>The Light&#8217;s Doors can span Time and Space so if a locale had to be in a particular place it could be(travelling the whole world to find the signs?!), but it could start and culminate in the US.  Surely there is some equivalent of the Wild Hunt in Amerindian mythology that could harry the Dark to the ends of the world.</p>
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		<title>By: Kevin Andrew Murphy</title>
		<link>http://www.deepgenre.com/wordpress/craft/memo-to-hollywood-how-to-do-and-not-do-an-adaptation/comment-page-1/#comment-7715</link>
		<dc:creator>Kevin Andrew Murphy</dc:creator>
		<pubDate>Wed, 31 Dec 2008 09:19:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/?p=590#comment-7715</guid>
		<description>Well, while &lt;em&gt;&lt;strong&gt;The Dark is Rising&lt;/strong&gt;&lt;/em&gt; itself could have been done as an American story, it would have had to be a very old town in New England to have even a vestige of the same flavor.  But it would also make tying in with the Arthurian mythology even more of a stretch (not that the Arthurian mythology wasn&#039;t left on the cutting room floor to begin with).</description>
		<content:encoded><![CDATA[<p>Well, while <em><strong>The Dark is Rising</strong></em> itself could have been done as an American story, it would have had to be a very old town in New England to have even a vestige of the same flavor.  But it would also make tying in with the Arthurian mythology even more of a stretch (not that the Arthurian mythology wasn&#8217;t left on the cutting room floor to begin with).</p>
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