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	<title>Comments on: Openings&#8211;Types</title>
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	<description>Writing and Reading. Commerce and Art. Fantasy and Science Fiction. Discuss.</description>
	<pubDate>Mon, 08 Sep 2008 07:46:52 +0000</pubDate>
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		<title>By: Kisakookoo</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-8924</link>
		<dc:creator>Kisakookoo</dc:creator>
		<pubDate>Tue, 23 Jan 2007 18:40:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-8924</guid>
		<description>Hi! Why I can't fill my info in profile? Can somebody help me?
My login is Kisakookoo!</description>
		<content:encoded><![CDATA[<p>Hi! Why I can&#8217;t fill my info in profile? Can somebody help me?<br />
My login is Kisakookoo!</p>
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		<title>By: L.N. Hammer</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3185</link>
		<dc:creator>L.N. Hammer</dc:creator>
		<pubDate>Mon, 25 Sep 2006 15:51:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3185</guid>
		<description>I like "the Antiques Roadshow" as a name for that sort of thing.

*waves to Wenamun*

---L.</description>
		<content:encoded><![CDATA[<p>I like &#8220;the Antiques Roadshow&#8221; as a name for that sort of thing.</p>
<p>*waves to Wenamun*</p>
<p>&#8212;L.</p>
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		<title>By: Mitch Wagner</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3159</link>
		<dc:creator>Mitch Wagner</dc:creator>
		<pubDate>Mon, 25 Sep 2006 02:31:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3159</guid>
		<description>Watched the movie &lt;i&gt;The Wedding Crashers&lt;/i&gt; this morning. It starts with the two protagonists, played by Vince Vaughan and Owen Wilson, working at their jobs mediating divorces. They're attempting to hammer out an agreement between an affluent and hateful couple, played by Rebecca De Mornay and Dwight Yoakum.

We never come back to any of this stuff again. We never see the married couple, and there's no further reference to the protagonists' careers at all. 

But the opening is funny. It pulls us into the story. And, most importantly, it establishes the protagonists as a pair of extraordinary baloney artists who are so in synch with each other that they finish each others' sentences. They are more than half con-men, they don't care how hokey a line is if the mark will buy what they're selling. And yet they also deliver on their promises -- by the end of this little vignette, the couple has arrived at an agreement to separate their property, and the divorce can move forward. 

All these qualities in the protagonists' personalities are essential to keeping the movie going forward when we get to the &lt;i&gt;real&lt;/i&gt; action. 

The Farrelly Brothers, who created &lt;i&gt;There's Something About Mary,&lt;/i&gt; demonstrate that your protagonist can do hateful things if he shows the audience he's also compassionate and has good character. And a good place to start with that is at the very beginning. If your hero is going to cold-bloodedly kill 100 people in Scene 2, maybe it's a good idea to have him rescue a puppy in Scene 1.</description>
		<content:encoded><![CDATA[<p>Watched the movie <i>The Wedding Crashers</i> this morning. It starts with the two protagonists, played by Vince Vaughan and Owen Wilson, working at their jobs mediating divorces. They&#8217;re attempting to hammer out an agreement between an affluent and hateful couple, played by Rebecca De Mornay and Dwight Yoakum.</p>
<p>We never come back to any of this stuff again. We never see the married couple, and there&#8217;s no further reference to the protagonists&#8217; careers at all. </p>
<p>But the opening is funny. It pulls us into the story. And, most importantly, it establishes the protagonists as a pair of extraordinary baloney artists who are so in synch with each other that they finish each others&#8217; sentences. They are more than half con-men, they don&#8217;t care how hokey a line is if the mark will buy what they&#8217;re selling. And yet they also deliver on their promises &#8212; by the end of this little vignette, the couple has arrived at an agreement to separate their property, and the divorce can move forward. </p>
<p>All these qualities in the protagonists&#8217; personalities are essential to keeping the movie going forward when we get to the <i>real</i> action. </p>
<p>The Farrelly Brothers, who created <i>There&#8217;s Something About Mary,</i> demonstrate that your protagonist can do hateful things if he shows the audience he&#8217;s also compassionate and has good character. And a good place to start with that is at the very beginning. If your hero is going to cold-bloodedly kill 100 people in Scene 2, maybe it&#8217;s a good idea to have him rescue a puppy in Scene 1.</p>
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		<title>By: Wenamun</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3153</link>
		<dc:creator>Wenamun</dc:creator>
		<pubDate>Sun, 24 Sep 2006 18:46:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3153</guid>
		<description>Some opening categories are of the "Don't try this at home, kids; &lt;em&gt;I'm&lt;/em&gt; a professional!" sort.  :)

There's another sort of opening, probably not common in print these days, that I can't think of a catchy name for.  Oh, let's try calling it &lt;strong&gt;the Antiques Roadshow&lt;/strong&gt;, in which the opening focus is on the description of an inanimate object, still life, building, etc. before (one hopes) it broadens out to other things.</description>
		<content:encoded><![CDATA[<p>Some opening categories are of the &#8220;Don&#8217;t try this at home, kids; <em>I&#8217;m</em> a professional!&#8221; sort.  <img src='http://www.deepgenre.com/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>There&#8217;s another sort of opening, probably not common in print these days, that I can&#8217;t think of a catchy name for.  Oh, let&#8217;s try calling it <strong>the Antiques Roadshow</strong>, in which the opening focus is on the description of an inanimate object, still life, building, etc. before (one hopes) it broadens out to other things.</p>
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		<title>By: Marie Brennan</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3151</link>
		<dc:creator>Marie Brennan</dc:creator>
		<pubDate>Sun, 24 Sep 2006 16:25:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3151</guid>
		<description>Tangential, but not egregiously so, since the opening of a story (short or novel) is where the writer and reader negotiate with one another, and trust gets established or doesn't.  It's also the "begin as you mean to end" thing -- I hate it when I read something that starts off with a bit of conflict that turns out to be irrelevant to what's going on, just because that conflict looked more immediately compelling.</description>
		<content:encoded><![CDATA[<p>Tangential, but not egregiously so, since the opening of a story (short or novel) is where the writer and reader negotiate with one another, and trust gets established or doesn&#8217;t.  It&#8217;s also the &#8220;begin as you mean to end&#8221; thing &#8212; I hate it when I read something that starts off with a bit of conflict that turns out to be irrelevant to what&#8217;s going on, just because that conflict looked more immediately compelling.</p>
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		<title>By: kateelliott</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3133</link>
		<dc:creator>kateelliott</dc:creator>
		<pubDate>Sun, 24 Sep 2006 04:08:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3133</guid>
		<description>THis is a fabulous post, and I particularly like the names for the different types of opening.

Marie, I agree that there is - can be - a huge element of trust involved when we sit down to read depending on what we ourselves as readers bring to the table.  If I pick up a book with a preconceived notion of how it is going to fit into my reading tastes, I may judge it more harshly or less harshly depending on the circs.  I think it takes a strong soul indeed to resist the siren call of any taint of prejudgement based on outside factors.  How often have we heard a book condemned, or praised, by someone who hasn't read it?

Although this subject is tangential to that of openings.</description>
		<content:encoded><![CDATA[<p>THis is a fabulous post, and I particularly like the names for the different types of opening.</p>
<p>Marie, I agree that there is - can be - a huge element of trust involved when we sit down to read depending on what we ourselves as readers bring to the table.  If I pick up a book with a preconceived notion of how it is going to fit into my reading tastes, I may judge it more harshly or less harshly depending on the circs.  I think it takes a strong soul indeed to resist the siren call of any taint of prejudgement based on outside factors.  How often have we heard a book condemned, or praised, by someone who hasn&#8217;t read it?</p>
<p>Although this subject is tangential to that of openings.</p>
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		<title>By: Sherwood Smith</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3129</link>
		<dc:creator>Sherwood Smith</dc:creator>
		<pubDate>Sun, 24 Sep 2006 03:37:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3129</guid>
		<description>Jellyn:  mentioning the weather is a part of setting.  Sometimes there's too much weather, but your sentence there does a lot of jobs.  As for what type of opening, I'd call it Discovery--the baby boy being the 'discovery'.</description>
		<content:encoded><![CDATA[<p>Jellyn:  mentioning the weather is a part of setting.  Sometimes there&#8217;s too much weather, but your sentence there does a lot of jobs.  As for what type of opening, I&#8217;d call it Discovery&#8211;the baby boy being the &#8216;discovery&#8217;.</p>
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		<title>By: Jellyn Andrews</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3126</link>
		<dc:creator>Jellyn Andrews</dc:creator>
		<pubDate>Sun, 24 Sep 2006 02:23:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3126</guid>
		<description>What about the following type of opening?

It was cold, rainy night in October and the Lady Evelyn's screams echoed throughout the mansion for hours before she finally gave birth to a beautiful baby boy.

I tend to see this a lot in rp character backgrounds. For some reason the weather is always mentioned.</description>
		<content:encoded><![CDATA[<p>What about the following type of opening?</p>
<p>It was cold, rainy night in October and the Lady Evelyn&#8217;s screams echoed throughout the mansion for hours before she finally gave birth to a beautiful baby boy.</p>
<p>I tend to see this a lot in rp character backgrounds. For some reason the weather is always mentioned.</p>
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		<title>By: Velcro City Tourist Board &#187; Blog Archive &#187; Links for 24-09-2006</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3125</link>
		<dc:creator>Velcro City Tourist Board &#187; Blog Archive &#187; Links for 24-09-2006</dc:creator>
		<pubDate>Sun, 24 Sep 2006 02:19:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3125</guid>
		<description>[...] 12 - Openingsâ€“Types &#8220;A hundred years ago, leisurely openings were de rigueurâ€“especially when presented either in first person or by an omniscient narrator. It could, and did, take several pages just to meander over the time and setting.&#8221; Sherwood Smith on openings of novel (tags: openings hooks literature genre sf scifi fantasy fiction science tips howto advice authors novels writing) [...]</description>
		<content:encoded><![CDATA[<p>[...] 12 - Openingsâ€“Types &#8220;A hundred years ago, leisurely openings were de rigueurâ€“especially when presented either in first person or by an omniscient narrator. It could, and did, take several pages just to meander over the time and setting.&#8221; Sherwood Smith on openings of novel (tags: openings hooks literature genre sf scifi fantasy fiction science tips howto advice authors novels writing) [...]</p>
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		<title>By: Sherwood Smith</title>
		<link>http://www.deepgenre.com/wordpress/ssmith/misc/openings-types#comment-3124</link>
		<dc:creator>Sherwood Smith</dc:creator>
		<pubDate>Sun, 24 Sep 2006 01:24:56 +0000</pubDate>
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		<description>Marie: yes, it's been noted a lot that a crummy story by Famous Author will get bought over a nifty story by  I.M. Unknown if they happen to have similar elements.  But that gets us into the market aspect (which name will sell more copies?) which kinda derails us a bit on openings.  (Though it's worth discussing when it comes to the vagaries of editors, markets, and sales numbers.)</description>
		<content:encoded><![CDATA[<p>Marie: yes, it&#8217;s been noted a lot that a crummy story by Famous Author will get bought over a nifty story by  I.M. Unknown if they happen to have similar elements.  But that gets us into the market aspect (which name will sell more copies?) which kinda derails us a bit on openings.  (Though it&#8217;s worth discussing when it comes to the vagaries of editors, markets, and sales numbers.)</p>
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